Community is everything.

The most important thing that I have learned from my theatre studies is that that a painter is nothing without their brushes and pigments. We cannot hang only one vision onto a proscenium and call it theatre, we have to use every perspective available to get a three-dimensional story. The process from the beginning should be open, expanding, and most importantly, fun.

I will never facilitate a room that encourages competition between anybody. In my eyes, nobody is ever wrong in art, only stuck. The only way to get unstuck is to bring your ideas to the floor so the team can tinker together. We are all united by the bones of the script, we only have to find the points where our sightlines cross.